Our 5 Favorite Tracks From Miley Cyrus' Immersive New Album 'Something Beautiful'
Miley Cyrus has long been known for her fearless reinvention, and her latest album, Something Beautiful, cements her place as one of pop’s most unpredictable artists. Drawing from psychedelic rock, retro acoustic pop, disco-funk, and hypnotic club beats, this project embodies a fusion of everything she’s been and everything she’s becoming. While the album is full of surprises, five songs stand out as definitive moments that showcase Cyrus’s growth, range, and fearless artistry.
"Easy Lover"
“Easy Lover” is a technicolor experience that marks a defining moment in Cyrus’ discography. Backed by a tight, funky band, “Easy Lover” feels like a compelling pop-funk in a swirl of groovy basslines, layered synths, and a bold, sultry vocal performance that shows Cyrus at her most experimental yet controlled. The instrumentation alone would be enough to set this track apart, but it’s Miley’s vocal performance—confident, sultry, and purposefully raw—that takes it over the edge. “Easy Lover” could easily be viewed as the album’s heart, and a clear representation of her ability to meld genres while still sounding unmistakably like herself.
"End of the World"
Evoking the golden era of Fleetwood Mac and a dash of ABBA, “End of the World” leans into atmospheric acoustics, dusky harmonies, and Cyrus’ emotionally charged vocals. There’s a haunting stillness to the track, wrapped up in a dreamy quality that celebrates nostalgia and longing. She sounds both vulnerable and commanding, as if singing from the precipice of emotional collapse and personal awakening. “End of the World” isn’t just evocative; it’s mesmerizing.
"Golden Burning Sun"
“Golden Burning Sun” continues the album’s dive into retro-inspired acoustic pop, but here Cyrus shifts gears to a gentler, more introspective tone. That being said, there are still familiar, sunny acoustic guitars and soft harmonies to unpack—making the song feel like a lost gem from the early '70s. Lyrically, Cyrus reflects on love, time, and personal peace with poetic tenderness, offering a glimpse into her softer side without losing the edge that defines her. It's the kind of song that grows with each listen, sneaking up on you with its quiet brilliance. For fans of her “Malibu” era, this feels like a more mature, emotionally grounded continuation.
"Walk of Fame"
On the opposite end of the sonic spectrum comes “Walk of Fame,” a high-energy, runway-ready romp that blends Cyrus’s cheeky attitude with glossy production and a serious Daft Punk vibe. The beat pulses with robotic precision, layered with funky guitar riffs and a rhythm section straight out of a disco-drenched dream. Cyrus embraces into the theatricality of it all, delivering tongue-in-cheek lyrics about celebrity culture, fame, and self-image with campy charisma. It’s kitschy, it’s fun, and it knows exactly what it is—a fast-paced fashion anthem tailor-made for late-night drives and catwalks. It’s also proof that Cyrus can do playful without sacrificing complexity.
"Reborn"
If there’s one track that signals a new direction for Miley Cyrus, it’s “Reborn.” A slow-burning, atmospheric club track that builds with patience and purpose—this one is possibly the most unique moment on the album. Gone are the acoustic guitars and band-esque leanings—in their place are minimalist beats, layered synth pads, and haunting, echo-laden vocals. What begins as a sparse, almost eerie soundscape slowly transforms into an electrifying, entrancing crescendo. With “Reborn,” Cyrus proves that she’s not just borrowing from club culture, she’s reshaping it in her own image.
Miley Cyrus’ new album, Something Beautiful, is out now.
